Member Spotlight: Springtide Press!

How did you become a printer?

I started setting cold type on a Compugraphic 7300 phototypesetting machine (a huge console with a big green screen) in 1982 at Macalester College. It was a great way to learn because you had to imagine what everything would look like when it came out “composed” on the RC paper which we had to paste up for the offset printer to shoot. In 1989 I had the chance to learn to print on a Vandercook–a sweet #3 without a motor–which was a great way to learn about inking too.

What was your first press?

The first press I owned was a Vandercook #4, which met a tragic end in a move and proved once again that they are very top heavy. The replacement #4 is still here in my shop which made it from Chicago to Washington state without a hitch. It’s an awesome press, but I do most of my work on a Universal I and a C&P.

What do you make?
I made broadsides, artists books and lots of ephemera.

What do you like best about your work or physical shop?

I’ve had some crazy shops over the years in some really sketchy neighborhoods, so finally having my own place without studio mates or wacky neighbors has been fantastic. Since we renovated several years ago it has been warm, dry, and such a fine place to work.

What do you find challenging about being a printer?

It’s a struggle to keep everything organized while also being productive. I also teach, so I get confused about which shop where I’ve seen ornaments or type. I’m sure the years and solvents have not been kind either…

Who or what inspires you the most? Do you have a printing hero or mentor?

I continue to be inspired by Jen Farrell at Starshaped Press who proves every day that handset type, good design and fine printing are possible in the commercial realm. There’s more to letterpress printing than punching the crap out of a piece of paper with plastic.

I am also inspired by former students?especially the ones who take up the challenge to become printers–despite the crowded field and limited equipment. Two who have made the leap with gusto are David Johnston and Caitlin Harris.

Do you have a printing or business tip that you can’t live without?

Respect your craft, learn the history, and teach people to use the correct terms. Letterpress is not a verb and type cases are not “drawers.” Take good care of yourself and your equipment: think of a distance run, not a sprint.

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