Photography of Letterpress

I did a little experimenting on the weekend and found if they were vertical (Or just about) rather than laying flat, with a bright sun above but slightly behind the artwork (ie not at noon mayb 10am or 2pm) otherwise, if you’re not from such a sunny place strong lighting slightly behind vertical artwork could work too.

I wait for a sunny day and shoot my cards next my southeast-facing window. You want the card to be nearly parallel to the direction the light is coming from, this gives the greatest amount of emphasis on the texture and impression. I use something small like a votive candle holder to prop the card up.

 

I’ve also found that extreme close-ups, and dramatic angles cropping out much of the card, while perhaps counter-intuitive, are the best way show off the texture.

 

Examples: http://www.kristinejubeck.com/print/bleeding-hearts-greeting-card/ and http://www.kristinejubeck.com/print/chickadees-greeting-card/

 

Definitely be sure you have the macro setting turned on, you’ll need it for clear focus on close-up subjects.

I often take my work outside — mid day on days when the lights not too strong and standing them up is best, the flat doesn’t show the impression very well.

[Author]

Posts